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Plazaville
by G.H. Hovagimyan, with Christina McPhee and Artists Meeting
with funds from the New York City Department of Cultural Affairs

Plazaville is a new media video art work set in 21st century New York City. It is based on the classic 1965 movie "Alphaville" by Jean Luc Godard. The scenes from the original "Alphaville" are being re-enacted, interpreted and improvised upon by artists, actors and videographers. The piece uses the Internet as one means of distributing the short video clips. Viewers can download new scenes as they become available. This is somewhat like a serialized program but is not in any order. The videos can be viewed on computers, iPhones and large screen HD televisions (using AppleTV). Plazaville extends the notion of video-performance by using the idea of a movie shoot as vehicle for ephemeral performance art. [Needs Quicktime Plugin]

Without A Trace
by Jody Zellen
with funds from the Jerome Foundation

In July 2007, Jody Zellen began saving the daily online version of the comic strip Real Life Adventures, removing the text so that all that was left were the empty thought bubbles. She has also been tracing the print version of the New York Times every day, often combining the front and back of a single page (by holding it up to a window). Without A Trace takes the idea of this daily ritual as its point of departure. Each day for a year, a comic image, a trace drawing, and three words from the original comic strip will be randomly selected from an archive. These are juxtaposed with live text and image feeds from the New York Times online. A trace is an action. A trace is what remains when almost everything else disappears. Without A Trace draws from an archive of traces, presenting them with ephemeral data to provide a fleeting memory, challenging the title and the notion, without a trace.
Networked: a (networked_book) about (networked_art)
A Juried International Competition
with funds from the National Endowment for the Arts

A networked book is an open book designed to be written, edited and read in a networked environment (Institute for the Future of the Book). Five writers will be commissioned to develop chapters for a networked book about networked art. The chapters will be open for revision, commentary, and translation by online collaborators. Each commissioned writer will receive $3,000 (US). Committee: Steve Dietz (Northern Lights, MN), Martha CC Gabriel (net artist, Brazil), Geert Lovink (Institute for Network Cultures, The Netherlands), Nick Montfort (Massachusetts Institute for Technology, MA); and Anne Bray (LA Freewaves, LA), Sean Dockray (Telic Arts Exchange, LA), Jo-Anne Green (NRPA, MA), Eduardo Navas (newmediaFIX), Helen Thorington (NRPA, NY).
Recollecting Adams
by Marianne R. Petit
with funds from the Andy Warhol Foundation for the Visual Arts

Recollecting Adams is a 25-part web-based animation series that will conclude in December 2009. A new episode will launch every two weeks. "The people of Adams, Massachusetts are gifted storytellers. We learned that in our first few weeks here. When they enter the gallery, they tell us about how they bought gloves when the storefront was Pociask’s Dress Shop, or how they took guitar and accordion lessons when it was La Flemme’s Music Store. And this is just inside the building. When we’re standing outside, we hear tales of Summer Street and the town. People in Adams really know its history and love sharing it. They weave their personal family stories into a rich history of immigration, the mills, the church and more, across several generations." Marianne Petit

Recollecting Adams is part of Networked Realities: (Re)Connecting the Adamses — a collaboration between Greylock Arts, Turbulence.org and MCLA Gallery 51. It includes four commissioned works housed in the Department of Public Works at www.newadams.es.

Domain of Mount Greylock—Video Portal
by David Lachman
with funds from the Andy Warhol Foundation for the Visual Arts

Adams and North Adams sit at the base of Mount Greylock, the highest point in Massachusetts. It is their unifying landmark and, according to local Indian legend, a spiritual beacon. A drawing of the landscape is used as the organizing structure for a series of embedded video clips. Seeded with videos by the artist, the domain is now open to everyone (artists, citizens, kids). Submissions should be relatively short and can be video art, documentary, animation, personal stories related to place, family histories, short film, experimental, or anything else. A united portrait of the towns, their people, and their history will be created by many voices contributing to the domain.

Domain of Mount Greylock is part of Networked Realities: (Re)Connecting the Adamses — a collaboration between Greylock Arts, Turbulence.org and MCLA Gallery 51. It includes four commissioned works housed in the Department of Public Works at www.newadams.es.

Tumbarumba
by Ethan Ham and Benjamin Rosenbaum
with funds from the Jerome Foundation

Tumbarumba is a frolic of intrusions — a conceptual artwork in the form of a Firefox extension. Tumbarumba hides stories — twelve new stories by outstanding authors — where you least expect to find them, turning your everyday web browsing into a strange journey. [Needs Firefox Browser and Tumbarumba extension]

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Events

Upgrade! Boston

Upgrade! Boston is a monthly gathering of new media artists and curators that fosters dialogue and creates opportunities for collaboration within the media art community. At each meeting one or two artists/curators present work in progress and participate in a discussion. Upgrade! Boston is hosted by the Studio for Interrelated Media at Massachusetts College of Art and Design and is a node in the Upgrade! International network.

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New Radio and Performing Arts, Inc. thanks
The
Andy Warhol Foundation for the Visual Arts, the Jerome Foundation, the LEF Foundation, the Massachusetts Cultural Council, a State agency, mediaThe foundation inc., the Murray G. and Beatrice H. Sherman Charitable Trust, the National Endowment for the Arts, the New York City Department of Cultural Affairs, the New York State Music Fund, the New York State Council on the Arts, a State agency, The Greenwall Foundation, and Trust for Mutual Understanding for their support.

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